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The writing sometimes feels repetitious, but it reflects the near-constant frustrations, negative messaging, and indignity that she lives with in a world both fixated on evaluating, monitoring and reporting on her body, while also refusing to accommodate her. Eating therefore becomes a way for Roxane to feel safe. She is unable to say anything to her family, and processes this trauma on her own. Then at age 12, she is the victim of a sickening, monstrous rape, which destroys any sense of security she once had, while also bringing her overwhelming, life-long shame. Her weight gain hinges on a before and after before, she had a trouble-free childhood playing with her brothers and feeling deeply loved and safe with her family. Gay, Roxane (frfattare) Malmberg, Em, 1962- (versttare. 03 In the tradition of William Gays critically acclaimed novels. Even her father – who would clearly do anything to support her –naively says things like “I am only telling you what no one else will,” when what he says is what the world tells her – forcefully and contemptuously – every day.Įating for Roxane is something of a coping mechanism, which seems to have tipped into a blurred act of compulsion, too. Hunger : historien om (min) kropp / Roxane Gay versttning: Em Malmberg. As police suspicion quickly falls on her brother, Roxane knows she is the only person. Many of the aspects of her daily experiences should (and do) provoke empathy, not pity.
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Unlike most personal stories about weight, this is not a ‘triumph’ narrative about her losing weight or conquering her ‘unruly’ body.Īs a super obese woman (someone with a BMI of 50 or more), Gay details the daily intrusions and humiliating ordeals that she endures from shopping for food (strangers being so brazen as to remove items from her shopping cart), clothes (where options are incredibly limited), boarding a plane (and dealing with non-compatible belt extenders and casual cruelty from other passengers or attendants), going to a restaurant (where careful investigations need to happen in advance to determine whether chairs have fixed armrests), walking down the street (where her body is treated like a public space itself – highly visible but invisible – bumped into, stepped on, shoved aside), even going to the doctor’s office (where she deals with condescension and dehumanization). Hunger is partly what it’s like to be overweight in a fat-phobic world, but more than that, it’s a memoir of Roxane Gay’s specific experience, what her body has gone through, and she’s not speaking for anyone but herself.